“Remembering The Future” is slated for a mid to late summer release featuring eight tracks. What makes this album unique is that the songs were originally written and demos were recorded between 1988 and 1992 for a future release, Blake felt that the time had come to revisit these gems, more on that below. Blake has spent 100’s of hours refining the details of each track, recording mixing and mastering the final product.
“Remembering The Future” will be released as a Limited Edition Cassette Tape the album features the singles Color Blind and The Downfall
Vocals, Keyboards, and Programming – Blake Recorded at Retromatic Studios in Florence, Alabama
About “Remembering The Future” There are many questions we ask ourselves as we get older. Have things changed? Have we made for ourselves the future we wanted when we were young? Is the world a better place? Did we make a difference? The answers, for some, are rarely what we want them to be but we continue on, hopefully still striving for that future we wanted when we were kids.
The hard part is not letting it get you down. I use music to keep the sadness at bay but it doesn’t always work and I fall into deep holes of blackness for a while and give up only to hear the right song at the right time and get pulled back out again to strive some more.
“Remembering The Future” is essentially a trip back in time, remembering my thoughts about the future. Where I wanted to be ten, fifteen, even twenty years from then. Remembering the wants and needs of every passing day from loves to come and loves had and lost, what will become of everyone’s future, and fighting for what you believe in, the divides that we have in the world, and the future of the planet. What would all this look like in the future?
Described by Shindig Magazine as, ‘lyrically astute and melodically inventive,’ Elfin Bow’s pastoral pysch-folk holds imagery that that blends her twin passions of music and art.
A strict 1970’s church upbringing that frowned upon any kind of pop music, was the catalyst for her ‘quiet rebellion,’ and she saved her pocket money to buy her own radios to listen to covertly under the covers. The discovery of trailblazers like PJ Harvey, Tori Amos and Bjork flung the door wide open for her to find her own voice.
Two successful crowdfunding campaigns enabled the release of her debut album, launched with a live session on BBC Radio Wales and a single with the Fruits de Mer Record label, recorded with the Scottish Session Symphony Orchestra. After signing to Peacock Sunrise Records, and prior to starting work on her follow up album, Elfin released her EP, Rainbows & Gallows.
In stage outfits that interpret her lyrics, Elfin invites moments of musical magic in venues big and small; a tin shed, living rooms, art galleries and bookshops have been no less memorable than Theatr Clwyd, The Royal Liverpool Philharmonic, the Epstein Theatre and the Bridgewater Hall.
She has performed alongside folk legends, Bonnie Dobson, Robin Williamson and Chris Wood and had airplay on BBC 6 Music (Gideon Coe) and BBC Radio Wales (Wynne Evans, Adam Walton.)
This Friday, Elfin will perform a ‘lockdown’ live performance for the Tin Shed Facebook group. A ‘tip-jar’ gig, where you can donate what you can, she will be donating half of the proceeds to a new project to create a CD compilation of music from all musicians who have performed at the Tin Shed since it began. The profits from the sales of this CD will go towards CARE UK – RENEW, a charity that supports refugees living in the camps of Greece.
On Monday, May 25th at 8 PM Central Time, Hotel Vegas will premiere our first music video from the upcoming album!
This is the kind of thing that we’d typically do live at one of our beloved music venues in Austin. The times, however, are not typical, and we’re looking for creative ways to adapt and continue to support each other. Right now, if you want to help keep the legendary #HOTELVEGASTEXAS alive, you can order curbside TO-GO:
You’re invited to our psychedelic pre-release listening party!
The Sheverb tribe has prepared a most unique live listening experience of our soon-to-be-released album, Once Upon a Time in Bombay Beach. Hear the complete new concept album, while watching a curated medley of scenes from vintage acid western films, in real-time, with us. A brief intro with the band will kick off the festivities at 10:30 PM Central. Join us, and please help spread the word!
When: Saturday, May 23, 2020, 10:30 PM Central Time Where: ( HERE )
This event will not be recorded and will take place on Twitch. You do not need a Twitch account to watch/listen; however, if you have one, you’ll be able to participate in the chat.
Put on your glad rags, top hats, flower crowns, space rock, psych folk, party frocks, flares and funky boots and join me on Sunday at 3pm, right here, for a celebration of all that makes us creative, colourful, human beings!
It’s taken time to get a hold of my health issues enough to finally schedule my first Elfin Bow live lockdown concert and I’m really excited to announce that it will also be the launch of my Patreon page (more about that on Sunday).
I may have been quiet but I have certainly not been idle! Join me to hear songs old and new and find out what I have been cooking in the creative oven, especially for you!
I’ll be joined by the superstar that is my lovely husband and captive guitarist, Gary Edward Jones.
AUSTIN, TX – This past February, Sheverb set out to do something extraordinary. For one month, the tribe dropped out of the daily grind in Austin, TX to live together in a semi-abandoned seaside resort town in the Southern California desert. Once there, they built a pop-up studio, wrote an album, and recorded it. They had just returned home when the COVID-19 shelter-in-place orders began. Now, instead of the initially planned high-production roll out package, the band is going digital and using their revenue-generating potential to make jobs instead of things.
“It feels ridiculous to press vinyl or print a new line of merch when so many of us in the music community are not sure how we’re going to afford rent or food next month,” says Sheverb guitarist Betty Benedeadly. “Instead of producing physical goods, we’d like to hire people to take on digital projects with us, such as creating music videos and perhaps a documentary with the content we captured in Bombay Beach.”
The tracking is complete. The mixing is underway, and the band is fundraising to cover post-production costs. Additionally, they’re hopeful that they can raise additional funds to pay more freelancers to collaborate on digital projects. Every dollar donated will go towards paying working creatives. Sheverb is accepting donations on Venmo at @sheverb and PayPal at [email protected]. While any amount is appreciated, there is a limited time, discounted offer: To be listed as Executive Producer on the Sheverb in Bombay Beach album, donate $500 $250 before midnight May 31, 2020.
The Making of Sheverb’s Once Upon a Time in Bombay Beach
Sheverb’s journey to Bombay Beach was a cooperative music-making experiment that blurred the boundaries of life, art, and dreams. For one month, the gang lived communally in a retro trailer, sleeping in bunk beds, cooking group meals, and sharing a single bathroom. They immersed themselves in the local community with late night explorations of abandoned structures and lunchtime picnics on the Salton Sea, a body of water with a complex history. Largely developed in the 1950s, Bombay Beach enjoyed many years of thriving tourism, but water-related environmental issues eventually drove many away. According to the 2010 census, the town’s population had dwindled to 295, but in this past decade, the town has seen an art-driven revival of sorts, with an increasing number of creatives flocking to the area to revel in graffiti-covered buildings and surreal sculptural installations. Sheverb’s goal was to soak in the energy of this unique place and create a sound to match.
The band played music 6-8 hours per day, often publicly and for free, and what resulted is an instrumental concept album that takes the listener through a distinctly Bombay Beach psychedelic adventure. They collectively wrote 9 surf-infused, desert-fueled rock & roll tracks and captured field recordings in town, which are layered into the album. They accumulated found objects (railroad spikes and fish bones, for example), which were transformed into percussion tracks. More than a collection of songs, this holistic album is a time capsule that speaks to the experience of 5 Texan musicians embedded in a bizarre landscape.
To see some behind the scenes footage from this adventure, check out this video on Sheverb’s YouTube channel.
Sheverb is a womxn-led psychedelic desert rock collective based in Austin, TX. While we have a larger network of wild souls contributing to this project, the lineup for the Bombay Beach album is:
Betty Benedeadly | Guitar, railroad spikes
Xina Ocasio | Drums, wooden frog
Lainey Smith | Bass
James Ruthless Mescall | Trumpet, flute, percussion
Braden Guess | Guitar, synth, fish bones
Special thanks to the Bombay Beach Arts & Culture Center for hosting us and providing the studio space, and our beloved audio engineer and spirit animal, Buck AE Down, for the professional assistance.
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